Saturday, November 11, 2006

Is it me...

EDITED TO SAY THAT WITH THE 11/16 EPISODE, GREY'S HAS REDEEMED ITSELF WITH ME.




...or is Grey's Anatomy getting dangerously close to jumping the shark?

As noted in an earlier post, I crammed Seasons One and Two into a few, bleary-eyed weeks prior to the premiere of the third season. I watched 3, 4 or 5 episodes in a row, often discovering that it was 3 AM and I had to get up for work in a few hours. I watched episodes over and over, and felt as close to being in love with a TV show as one could be. In love. Not just "enjoying", but in love.

I was thrilled to find the official writers' blog called "Grey Matter" on the ABC site. I listened to Shonda Rhimes and Betsey Beers, executive producers, talk about episodes on their podcast. Yes, I was in love.

Then Season Three began. Started out pretty strong, but something felt odd... like when someone you know looks different, but you can't quite figure out what she did, and then you realize she had her eyebrows waxed. Not a dramatic thing, but different nonetheless.

I liked the "Meredith on drugs" week, but by the third episode or so, I was BORED. Can you imagine? Bored. The week before the reruns was the worst. And then the writer's blog was stormed by angry viewers' asking what the HELL was going on with the show. Yet Shonda and Betsey continued to podcast with aplomb... rather self-satisfied and seemingly unfazed by the viewer base that was not quite leaving the room, but eyeing the doors.

This week, most commenters seemed to LOVE the "Where the Boys Are" episode, while I was left feeling 'eh'. Are they trying too hard? Are they thinking that Thursday nights require something different than Sunday nights? I don't know. I just think they've lost their way. I want each episode to have the impact of "Into You Like a Train", or the two-part bomb episode which may be one of the finest 120 minutes that ever aired. Ever.

So, Grey's Anatomy writers, want to see how to keep a show fresh, exciting, but not completely reinvent all your characters? Not have them do ridiculous things that run counter to everything you've told us about them? Not throw all continuity and timelines out the window to the point where we're saying, "Wait...didn't he once say...?"

Watch Nip/Tuck. Delivers with a bang, every single week.